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cyndia sieden - soprano - reviews

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Mozart & Haydn with New World Symphony
...the highlight of the concert was Sieden's performances of vocal works by Mozart.

The fresh, youthful quality of Sieden's voice perfectly matched the music of Mozart's early Exsultate Jubilate. She sang the quick melodic lines with a tightly focused voice, effortless virtuosity and joyous buoyancy... In No, no che non sei capace, she gave a performance of fiery virtuosity in the passionate, rapid-fire coloratura.
South Florida Classical Review, 28 October 2012

Neither - New York City Opera
Cyndia Sieden was dazzling here, singing with uncanny focus, impressive stamina and ethereal beauty... Sieden was a wonder
The New York Times, 28 March 2011

Kudos to soprano Cyndia Sieden for an outstanding performance of a challenging piece. Singing beautifully is one thing...but Sieden went the next step into artistry by imbuing every phrase with significance - not self-consciously, but with genuine urgency.
Washington Post, March 2011

The Tempest - Frankfurt
The indispensable Cyndia Sieden again demonstrated that the stratospheric writing of Ariel's part may need rethinking when she retires.
The Sunday Times, January 2010

The Tempest on EMI Classics
Cyndia Sieden is phenomenal as a stratospherically high coloratura soprano Ariel
The Financial Times, June 2009's hard to think of another singer who could manage the stratospheric writing for Ariel more effortlessly than Cyndia Sieden.
The Guardian, 19 June 2009

For many, the most memorable writing in The Tempest comes attached to Ariel's vocal high-wire act. Few coloratura sopranos are able to dispatch it like Cyndia Sieden, whose sound lends special colour to the performance...
Gramophone, August 2009