bradley smith - tenor - reviews
The Rakes Progress - Royal Academy Opera at Jack Lyons Theatre
Bradley Smith, whose tenor is light and penetrating, was especially touching in Tom’s madness. ...
Opera, May 2015
Bradley Smith in the title role grew into his part wonderfully as his character declined.
The Observer, 22 March 2015
Bradley Smith presented a weak, human, yet impossible-not-to-like Tom: just as he should be. His sappy tenor proved appealing throughout, but moving too, especially towards the end: all very much in character.
Boulezian, 20 March 2015
The Rape of Lucretia - Royal Academy Opera at Jack Lyons Theatre
Bradley Smith, whose defined tenor remained acutely focused, even as his
constrained character battled with emotion...
Opera, 1 July 2014
Bradley Smith was an excellent Male Chorus: with understated, natural acting, he navigated the emotional hurdles of his strange position on stage with aplomb, his clear voice making the most of Ronald Duncan's wonderful libretto ("The night is weeping with its tears of stars"). He is to be congratulated.
Bachtrack, 14 May 2014